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Relive the Feelings You can tell the audience with all the cool disinterest of an onlooker for example, by saying, "One day Thelma sang at the sing along." But it happened to you! You may have had certain feelings which you expressed in quite a different way at the time. This third person approach will not make much of an impression on your audience. They want to know exactly how you felt when Thelma started to sing for the first time. So, the more you relive that scene you are describing, or recreate the emotions you felt originally, the more vividly you will express yourself. Now here's the story about Thelma singing, told with emotional color using the "5 W Formula" answering the questions who, what, when, where, and why described earlier. It also ends with a person benefit... "a smile that lasted the entire day." We have a Sing-a-Long every Wednesday afternoon at 2:00 in the lounge off of B wing. About ten residents attend. I don't play a musical instrument, so I use a CD and song books. We have a resident; I'll call her Thelma, who has Alzheimer's. Her family told me Amazing Grace was one of her favorites. So when that song is played, I would walk over and sing gently into Thelma's ear. "Amazing Grace how sweet thou art…" Well, last week, for the first time, she opened her eyes really wide and started to sing! I couldn't believe it! I was so excited, happy, and startled, I almost fell back. Do you know she sang that song all the way though! I was so thrilled I smiled the rest of the day. People would ask me, "Cathy, why are you all smiles?" Some I would tell, "Thelma sang!" Others that wouldn't understand, I would just say, "I'm having a good day." That smile carried me through my drive home and when my head hit the pillow, I thought of Thelma and smiled. Do a self-check Also, if trying to project emotion into your story feels awkward, uncomfortable, unsafe, and unnatural, you will transfer your awkward, uncomfortable feelings to your audience that may even become embarrassed for you. So, do a quick self-check and ask yourself, "Can adding emotion to a story be something that can work effectively for me, given my personality type?" If the answer is "yes" or "I think so," then give it a shot. If the answer is "no, definitely not," skip this extra and pick out the techniques that suit you best. However, a sincere expression of emotion is needed at some level. Here's a pep talk if you are comfortable expressing sincere emotions in a minimalistic professional manner before your group. One of the reasons why we go to plays and movies is that we want to hear and see emotions expressed. Your Volunteer Recruitment Talk will generate excitement and interest in motivation to act, hopefully by volunteering, probably in proportion to the amount of excitement you put into it. So, don’t repress your honest feelings, don’t put a damper on your authentic enthusiasms. As mentioned previously, show your listeners how eager you are to talk about your subject, and you will hold the attention and hopefully motivate them to action... signing-up to volunteer! You may be asking, “Where do I find my story to relive some feelings?” Use an incident from the facility. In it you describe an experience that taught you a lesson or had a profound impact upon you or was startling like my Sing-a-Long story. You probably do not have to search long for these incidents because they usually lie close to the surface of our memory. Our conduct is guided to a large extent by these experiences. By vividly reconstructing these incidents you can make them an element to influence your listener. Build your example or story upon a single personal experience …Select details relevant to volunteering As mentioned earlier relevant detail, explained in concrete, cololorful language is the best way to recreate the incident as it happened and to illustrate it for the audience. Make your language related to volunteering as clear and explicit as possible. Don’t say, “Help residents in the local nursing home.” That’s too general. Say instead: “Sign up tonight to meet next Sunday to take 10 residents on a picnic.” It is important to ask for an overt action, one that can be seen, rather than mental actions, which are too vague. For example, “Think of us at ABC nursing home now and then,” is too general to be acted upon. Say instead: “Make a point to visit the nursing home this weekend.” Think back to a particularly touching incident that happened in your facility that will also support your ending point of a request for volunteers. Clearly, at the end of my talk, I can reference my Thelma story by saying, "Remember that sing along on Wednesdays at 2:00, if you'd like to help some residents respond, lend your voice to our sing along." Below write a story that you can reference later regarding your need for volunteers answering the question… who, what, when, where, and why:
A Note about Note-Taking “You might want to make a note of this...” Most people will do exactly what you suggest. Just make sure that you slow the tempo a bit to give them enough time to write what you tell them to write. More importantly, make sure that the notes you are directing them to take are worth keeping. Based on the format I have presented in this Manual, it basically does not lend itself to note-taking. But if you have a group all charged-up to take notes, you might have them write down the day and time of particular activities you are highlighting in your illustrations, examples, and stories. NCCAP/NCTRC CE Booklet |
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